Catching Fire by Suzanne Collins
I was a blabbering, foam-flecked, crazy-eyed fan of The Hunger Games by Suzanne Collins. I literally walked around the bookstore where I work carrying a stack of copies with me, challenging myself to sell every copy in my arms before I had to set them down. I carried them to the registers with me and snuck them on every display I could find (they looked funny in Gardening). I accosted fellow booksellers with it, demanding they read it rightthissecond. I pressed that book to people’s chests and told them, “Trust me. Just. Trust. Me.”
I waited for the sequel. I waited patiently, albeit with a hollowness inside, as if I was quietly starving for more from this series. So, when my advance copy of Catching Fire arrived, you can imagine my histrionics as I opened the envelope.
Oh, Suzanne Collins. Your Highness. May I call you Highness? We’ve never met, but if we ever do, I will fall to my knees and wrap my arms tight around your ankle, never letting you leave the room. At least until you’ve coughed up the third book in the trilogy. As much as I loved The Hunger Games, did I have doubts that Catching Fire could possibly live up to my lofty expectations? Yes, I admit it. I wondered how it was possible to keep up such a frenzied pace—such a delicate dance of character and action, tenderness and terror—all balanced on a needle’s point of pitch-perfect world building. Where could Catching Fire possibly take us?
I never could have imagined. Fears of a sophomore slump need not apply. Where Book One conjured images of The Giver sprinkled liberally with reality TV ala Survivor, Catching Fire hit me a little differently. While those elements are certainly still there, I was reminded more of Orson Scott Card’s Ender’s Game and George Orwell’s 1984. This volume ventures deeper into post-apocalyptic territory and has more emphasis on the Capitol, where its citizens are little more than sheep, pacified by shiny objects and rich foods, while the leaders slam down their fattened fists on the Districts, like a cruel child smashing ants with his thumb. Like Ender’s Game, things are not always as they seem, and the people of Panem need a hero, even a reluctant, confused, damaged one. The embers of unrest are quickly smothered by omnipresent face of the Capitol—like 1984, “Big Brother is watching.” This novel defies its pages—there is way more story than the number of pages would seem to allow. It just keeps getting better, and I can’t imagine what Ms. Collins has in store for us in Book Three. I think I’ll be holding my breath until then.